On the Prado Museum

A second favorite in terms of collection. Early on, we had signed up for the first open competition that was announced for the Prado expansion some years ago. So, we know the historical building well, the constraints of the expansion, having perused a very complete competition brief . We have not, however, visited Moneo's recently completed work. We did not feel the need to rush to make a visit: his architecture does not demand to be seen this way. One can only assume, knowing much of his work, that it will have a certain imposing confidence to it, classic spatial moves and use of materials and natural light, in dramatic ways - not necessarily recommended in a "museumscape" where drama and high contrast in lighting are to be avoided. In a good way, it will eschew, as much of Moneo's built work does, the risks of flamboyant public gestures. While we may appreciate the facilitated visitor flow, the expanded galleries, and the cafe, we will nevertheless visit the Prado, not for Moneo, but to be enthralled by the El Grecos , Murillos, Zurburans, Goyas and Velasquezes.